I Love A Little Pussy, Ride A Cock Horse
Originally uploaded by Jory .
I am not so mature that I don’t enjoy a little Mother Goose.
I Love A Little Pussy, Ride A Cock Horse
Originally uploaded by Jory .
I am not so mature that I don’t enjoy a little Mother Goose.
Tofu Pho Fantasy
Originally uploaded by Jory .
Tofu not content just being Tofu, takes on many forms, most delicious.
Originally uploaded by Jory .
Well, there you have it. The wheel of my bike with a fixed gear attached.
It all seems so inevitable now. The stages of adoption of any trend are as follows.
1. Awareness: In this stage the subject becomes aware that a trend exists. I was aware of fixed gear bikes in the 90s due to Sheldon Brown’s website but I never knew it was a trend until I returned to researching bikes online in the last few years. At that point I felt surrounded by the fixed gear trend in the Silver Lake area of Los Angeles.
2. Fascination: “Whoa! Just What Is It that Makes Today’s Bikes So Different, So Appealing, So Chic and Unique?”
3. Distain: “This has nothing to do with me. Hi, I’m a narcissist.”
4. Mockery: Fear sets in (see 3 above) and the resulting urge to ridicule. “Check out that hipster with no breaks on his bike! Gimmie a break! HA HA! Get it?”
5. Adoption: Fascination wins out over fear. Wisdom over narcissism. “This vehicle has a compelling feature set which pairs nicely with MY lifestyle and personality.”
6. Promotion: The trends continues to expand. “I am blogging about my bicycle.”
I suppose it was just a matter of time. After mocking anyone riding a fixed gear bike for some time now, my curiosity verging on obsession has me in the process of building my own.
Here is a new project to write some songs. I’ll write some verses without a chorus and send that to MC. He’ll write the chorus. I’ll write a chorus with no verses and send that so he can add some verses. And vice versa. We’ll post them here.
JF verse + MC chorus = song 1
JF chorus + MC verse = song 2
MC verse + JF chorus = song 3
MC chorus + JF verse = song 4
4 news songs! An EP! The new Lennon and McCartney – but different in that I don’t expect these to be of the same quality of those songs. Anyway, new songs.
My first album was Sloppy Seconds by Dr. Hook & the Medicine Show. I bought it at Licorice Pizza, a record store in Canoga Park, California. I wanted it for the single “The Cover of the Rolling Stone” which I had heard on the radio. I asked where I could find the Rolling Stones records but after searching through the entire bin labeled “Rolling Stones” I still couldn”t find the song I was looking for.
I was ready to leave with the Rolling Stones album, Goats Head Soup, it contained “Angie” – another song I knew from the radio and I would have been happy to go home with that as my second choice but a store clerk finally realized which song I was looking for and I was promptly matched up with the Dr Hook record. My mom bought it for me and we headed home.
I still have that record along with a lot of other vinyl I bought at Licorice Pizza. A few years ago I downloaded digital copies of most, if not all, of the Rolling Stones discography – including Goats Head Soup. This is how I get most of my music these days. I use eMusic, iTunes, AmazonMP3 in addition to “file sharing” with “friends”. The idea of using subscription based services to listen to music has never appealed to me, but I try to keep an open mind.
With so many options available, and no single obvious way (or not obvious to me, anyway) to collect and manage a music library, we face a common dilemma. “How should I access, collect and consume music?” This dilemma extends to other mediums – like Film – but I, for one, am mainly interested in how it relates to Music.The dilemma is multifaceted. It involves issues of sound quality, “is vinyl really better than digital, what about MP3 versus FLAC and how high the bit rate?” The dilemma is an ethical one, “is it okay to download a pirated copy of a song I already paid for in another format, say, cassette tape? what about the people whose livelihood is dependent on being paid for the music I am getting free of charge?” There are practical concerns, “what will happen to my music collection when my computer hard drive fails, or what will hapen when the Compact Disc become an obsolete technology?”
Other issues play a role, like the issues of convenience and the music listening experience. Think of the frustrations of dealing with poorly conceived DRM schemes or conversely the great possibilities available for accessing your favorite music at home, at work, at school or at the gym (and in transit between all of these locations.) Technology also promises great opportunities to better organize, aggregate, categorize, curate, mix, our music. This too figures into our dilemma, “is iTunes really better than Windows Media Player, and what about Songbird? If I use one system am I locked in to using that system alone, or can I change without paying too steep a price?”
Some of these questions are tougher than others and that as we move forward the playing field is constantly changing due to the fact that technology, business and the culture of music consumption are being transformed at a seemingly exponential rate. We must be in a pivotal moment then. After all, things can”t just stay in flux forever. This sense of being at a historic crossroads makes this dilemma all the more critical and to the music fans among us, all the more compelling.
To understand these questions and to get some answers I have begun to ask others where they stand on these issues, what conclusions they have arrived at, and what choices they make when collecting and listening to music. I began recording some interviews with various attendees at the 2008 South By Southwest Interactive Festival in Austin. They are unedited and a little rough, none the less, I have posted them below with permission of the participants.